Good news from our warehouse! The printers have completed the print run of the Limited Editions of My Eyes Have Seen the Glory, and they are GORGEOUS! You can see the first photos here (the first photos we have seen of the physical copies of these books)
They will be hand-numbered on the jacket and the interior, and the full-page photos (even in warehouse office light) look astonishing. Check them out!
As you can see, even in “poor” lighting, these books look incredible. They’ll be shipping our way and yours before you know it. We can’t wait to have these in our hands. I ordered mine. Did you order yours?
We really want to get these books in the hands of true Tottenham Fans! This season has been a rough one from all of us, but what we can all agree on is that Tottenham has a rich history filled with great players and coaches who have become LEGENDS in their own right. We look back with pride on the Glory Days and Glory Nights when football was for the fans, and we played for the GLORY, not just for the MONEY.
Order your limited edition today if you haven’t already! Orders will be shipping soon!
157 in stock
Listen for me, Rick Mayston of Agent Fox Media, and Micky Hazard on the Spurs podcast coming May 4th! We can’t wait to talk books, legends, Spurs, and more on this epic podcast!
What sets the Limited Edition apart from the retail editions to come?
There will only be 200 ever produced. Each book will be hand-numbered.
8 x 10 format (The retail edition is 6 x 9)
Full-page photos (Photos are smaller in the retail edition)
Each comes with a Limited Edition print signed by Paul Trevillion
The Cost for each book is £180. US Prices will be based on currency exchange rates the day of purchase.
This will become a collector’s item right away.
GLORY DAY IS HERE!
A little bit about the book My Eyes Have Seen the Glory
In My Eyes Have Seen the Glory, forty legends of White Hart Lane from the double era to the modern day re-live, in their own words, what it was like to play for, play against, watch and manage the mighty Spurs.
This unique book assembles the largest-ever group of Legends to be interviewed about Tottenham Hotspur Football Club in one place including: Darren Anderton, Ossie Ardiles, Ray Clemence, Alfie Conn, Jermain Defoe, Alan Gilzean, Micky Hazard, Glenn Hoddle, Martin Jol, Cliff Jones, Ledley King, Gary Mabbutt, Alan Mullery, Harry Redknapp, and Steve Perryman. Their passion and deep admiration for the club shines through.
Featuring wonderful illustrations by the legendary sports artist and illustrator Paul Trevillion and incredible photos by Colorsport.
We get to the heart of the club’s landmark successes in the double year, the subsequent attempts to emulate those achievements (including the incredible arrival of Ossie and Ricky) and the cup successes of the ‘80s through to Tottenham’s recent re-emergence at the higher end of the table once more, playing in one of the greatest club stadiums in the world.
My Eyes Have Seen the Glory is a must-read for all Spurs fans who are fascinated by Tottenham Hotspur’s rich history, and want to relive at first hand the glory, dedication, commitment, trials and tribulations shown inside the dressing room – and on the hallowed pitch of White Hart Lane.
*The publisher has agreed to donate £1 from each sale of My Eyes Have Seen the Glory to the Tottenham Tribute Trust (registered charity number 1094092).
GREETINGS SPURS FANS!
If you are not familiar with the American Film, The Big Lebowski, that is Walter over there on the right. And Walter is very concerned with the rules.
And we have a few related to the release of the LIMITED EDITION of what Paul Trevillion calls, “The Greatest Tottenham book of all time.” Here they are:
One Limited Edition Per Person. No exceptions.
Books will be sold on a first-come, first-serve basis. No, you cannot reserve one ahead of time even if you give us extra money or buy us great whiskey. We do accept both of those things, but just not as a bribe for a spot on the Limited Edition list.
Four numbered books: 1, 61, 100, 200 will be reserved from this sale. Everyone wishing to purchase one of these four numbers will be entered into a drawing, and winners will receive the right to purchase the number they registered for. More details to come.
No other numbers can be reserved. The number you receive will be based on when you ordered. Again, no bribes will help you in this case.
The sale will open up on April 2nd, 2021 at 3 p.m. BST, 10 a.m. EST (US), and 8 a.m. MST (where we, the publisher, are located. No one else knows what Mountain Standard Time is).
When the Limited Editions are gone, they are gone. No more will be printed, ever.
Books will ship on or around April 23rd, 2021.
That’s Pretty much it.
SEE YOU ON GLORY DAY!
(Above) Walter, Cares a Lot about the Rules, especially when it comes to bowling.
(Below) Paul Trevillion, Sports Artist, 87 years old, has more energy than I do and lives life pretty much free of rules.
Right Now, the Button Below Does Nothing. On Glory Day, it will take you to the live page where you can order your Limited Edition copy of My Eyes Have See the Glory (until they are gone).
Last week in the Bookseller in the UK, there was a sponsored post placed there by HP Book as a Service printing solutions. Other print to order vendors are emerging in a variety of markets with a variety of offerings. Ingram is no longer the only game in town for on-demand publishing on a global scale, and publishers large and small are taking notice.
For those who have self-published or for true micro-presses, Print on Demand, or as we like to put it, print to order has long been a solution, with two major players in the game: Amazon, and Ingram.
Each has different rules, drawbacks, and issues. But the fact that Draft2Digital (although really they are working with Ingram) and others like HP are looking at printing books on demand for both publishers and authors is both a bonus and an indicator. The bonus is that we are beginning to see broader choices, and that competition can only be good for both pricing and quality.
But more importantly, it’s an indicator. The post even offers a free eBook download from HP called “Think Globally, Print Locally.” It’s an interesting read, because it states things we already talk about at Mooney and Lambert.
Print to Oder is Environmentally Responsible
This is for more than one reason. First, we don’t waste energy and resources printing books we do not need. Print runs by large publishers have a huge impact on the environment. They also result in books being returned by bookstores and others, when they are most often pulped, or destroyed. This takes fuel and energy as well.
The second is that we can use Print on Demand vendors around the world to fulfill orders closer to the customer’s actual location. We don’t waste resources (and money) sending books around the world from a single location.
Finally, we can ensure print quality around the world, regardless of where the customer orders the book from by using a consistent network.
Developing Local Connections is Challenging
It is possible to publish globally by establishing relationships with local publishers in a variety of locations. However, this is a challenge for small and micro-presses, as such relationships can take time to develop. The challenge of a global pandemic meant shutdowns for a number of those partners, and even in some of them disappearing altogether.
For a global solution to work, a print on demand network is absolutely essential, and places like Ingram (and now HP and others) are developing such networks. This aligns with HP’s new model, “everything as a service” which offers cloud printing and even new, more agile printing press solutions for both large and small presses.
This Model is for Everyone
Look, lower costs equal greater profits for authors, agents, and everyone involved in the process. It’s better for our planet. And it means books that will sell in smaller projected numbers are still viable for publishers to take on, because production costs are reduced.
The old way of publishing is simply irrelevant to the modern way of distributing and printing books. Indie bookstores, small presses, and authors all come out ahead in the long run.
We don’t want to claim to be the first. But Mooney and Lambert has taken a unique position in the market, working with Agent Fox Media in the UK to form a new kind of publishing partnership, a post-Brexit, transatlantic agreement with historic implications.
And it’s Working
Authors who normally would have held out for deals with High Street and New York publishing houses are seeing the benefits of a more agile approach, one enabled by print to order publishing.
They’re books get to market faster, can potentially sell more copies, and the authors get a better contract to start with. This is the publishing model of tomorrow, and we’re pioneering it today.
We’re open to talking to agents and authors, and we’ll be opening for submissions coming in June. Watch this space for more exciting news!
Over 30 million records sold. The most photographed British star of the ’80s – alongside Princess Diana and Margaret Thatcher. Not since the Beatles has a British personality been so well known internationally, across a complete cross-section of ages, genders, races, and religions. Now, for the very first time, Samantha Fox has decided to tell the whole, and sometimes painful, story of the bullied North London girl who managed to captivate an entire world.
“My first memory is of an explosion and the smell of burnt flesh.” With those words, following a prologue in which readers are introduced to her backstage in 2015, Samantha Fox begins her story. Thoughts of Myra – the love of her life who has been battling an aggressive form of cancer for almost two years – whirl through her mind, then shortly she takes to the stage once more, to sing “Touch Me ” the song which made her world famous almost 30 years earlier.
Samantha Fox’s autobiography is a captivating tale about a fighter who has gone through hell more than once, but who has always come out stronger; someone who has remained in the public’s consciousness for almost four decades now – and who continues to play to sold-out crowds across the world.
There is a giant elephant in the room every time you talk books with an Indie bookstore. Amazon. The big gorilla. But there is another one, too. One that has been talked about, but only deep in book circles. There are things happening that neither authors nor bookstores understand, someone is keeping a fair amount of money, and authors and bookstores alike are losing money as a result.
It’s Ingram. Ingram and Baker and Taylor. So let me explain what I mean, the issues at hand, and what I think a solution might be.
The Price is Right
So this hit my eyeballs first as a self-publisher and then again as I formed a publishing house. Let’s look at some actual data.
In the background of Ingramspark, publishers get to choose the discount they offer to bookstores and retailers. You can choose anything from 0% to the recommended 55%. I’ve found, and so have other authors, that if you discount your print books around 40% the elephant in the room, Amazon, will still order them. (although there is a second option, one we and a lot of self-publishers use to get books on the ‘zon). This also keeps our books profitable without setting ridiculous prices.
It looks like this:
However, what a bookstore sees when they go order in their catalog if you have set a 40% discount is actually a 20% discount off retail. There’s 20% missing. That makes it difficult for the bookstore to maintain their profit levels and we, the self-pubbed authors or publishers, are not getting that 20%. Where does it go? Who does get it? And why can’t we have it back?
Even if you set your prices with the 55% discount off of retail for booksellers and others, they see a 40% discount on their dashboards. Oddly, at least reportedly, Amazon and other larger bookstores get something closer to the actual discount you set. It’s only the Indie stores who get this odd charge, or at least so it appears from the data we can find.
The Hidden Middle Man
There’s a hidden middle man: Ingram Book Company. They sit in the middle of US distribution (probably others too) and they take 10-15% before they offer the title to bookstores. At least according to Ingram.
But one author discounted their book 40% in their Ingram dashboard, went and talked to her local bookseller, who told her the discount they were offered was only 5%.
Someone is keeping a lot of money—money that belongs in the pockets of authors and small presses and indie bookstores. Worse, it makes these small press books less appealing to those indie bookstores, and so they order the big-name books from big publishers, who likely have a different deal with Ingram than we small fish can negotiate. This information, while technically public, is not shared widely, so many bookstores don’t know it’s happening, at least when we ask them about it.
So it looks like the little, greedy small press is only discounting their books by a small amount. The bookstore, therefore, and understandably, does not order their books.
The Potential Solution
As publishers, we love Indie Bookstores. We really do. So we want to sell them books at a reasonable price, ensure those books are returnable (a common need of bookstores), and yet still be profitable. Of course, we want to offer books through the usual channels: Ingram, Baker and Taylor, and of course, Amazon. Not because we love the big yellow giant, but because we have to.
And we know it is easier for indie bookstores to order books from Ingram. One-stop invoicing for several titles makes sense and makes things simple for them. Until a publisher has a pretty extensive catalog, it makes little sense for them to order direct from the publisher.
Except that we like to shop small, shop indie so that Amazon does not get all the pie out there. We want to send people to local booksellers over the big guys: and we do whenever possible.
So how can bookstores shop small, and return the favor? The answer is to order books direct from small presses whenever possible. Let the small press help you save money, beat the Ingram stranglehold so similar to what Amazon has, so we can direct customers your way.
It’s not just Mooney and Lambert. It’s every small press out there. We really do want to help you, but quite frankly we need your help, too. Shop small press and send a message to Ingram and the big players that the playing field needs to be level, and transparency is essential for them to build trust with indie bookstores and publishers.
It’s time to change the face of publishing and make a difference. That change starts with each of us and the choices we make every day.
Just over a year ago now, perhaps a little longer, my friend Jerry Mooney and I sat down to talk about the ghost of an idea that had been chasing around in my head. I wanted to take our talents and those of the people around us and harness them. I wanted to start a publishing company.
But not just any publishing company. The publishing industry has a problem, especially big, traditional publishers. Well, they have several and I’ll talk about a few here briefly because they are the “why” behind what we do. Since I already had the name “Unbound Northwest” and my own company, Unbound Media, we decided to go with Unbound Publishing, not for lack of other ideas, but because of the meaning of the name.
We wanted publishing to be Unbound. Open. We wanted to be transparent, and to help authors understand how publishing works. We also wanted to go on the beach of traditional publishing and kick some sand in the face of those big bullies. We’ve written about that a little bit before, here, and I’ll talk about it a bit more in a second.
Why the Name Change?
Well, this is where things get a bit complicated, but stick with me. When we went to get the domain name unboundpublishing.com it was already taken. By whom? Well, a pharmaceutical company somewhere in the Midwest who have some kind of app, and own the domain, even though that is not the name of their app.
No problem. We grabbed unbound.pub, unboundpublish.com, and a handful of others. No big deal, right? We figured eventually the pharma company would give up their name, and we could scoop it up then.
Then we were approached by an agent in the UK and formed our partnership with Agent Fox Media and Rick and Beverly Mayston. Rick mentioned our name, and that there was another Unbound in the UK, but a company who focused on crowdsourcing as a way to publish books. That was not their legal name, and in fact, they operate under a different business entirely. So there is not a legal issue with the name.
However, as we released our first couple of titles under the partnership and a couple of US titles, some confusion arose, because both crowdsourcing and our own model don’t follow the traditional model. So on Twitter of all places, there was some confusion regarding who was who.
Rather than fight the confusion and fight over who the real “Unbound” was, we decided to change our name. Although Lambert and Mooney was tossed around, it was too close to a cigarette brand in the UK, so we reversed the names, and ta-da! Mooney and Lambert.
What Else is Changing?
Well, not much and everything at the same time. We’re growing up because we’re growing. Also, 2020 has been interesting to say the least. The publishing industry, including us, has been tipped upside down and forced to look at the way we do business in a different way. Here are the details you need to know.
We’re staying in the Print to Order model. We won’t do print runs generally speaking, and not just because of cost, but because we want to minimize our environmental impact.
We’re author-centric. Our contracts are designed to reward authors, to increase royalties based on sales, and to cap out with a healthy return for authors and their agents.
We’re exploring new tech that lets us control printing and printing costs more directly.
We’re working to change the pricing model Ingram and other distributors use when selling to bookstores to make sure the indie shops who carry our books have the greatest chances of success too.
We will continue to be nimble. Big publishers take a long time to bring books to market. We want to be faster but without sacrificing quality.
We want to give stories a chance. Large publishing houses are resistant to newcomers or some niche topics. We want to embrace those.
We are about equality and diversity. Everyone deserves a voice, and their voices should be heard. A story should be evaluated based on merit, not on race, gender, sexual orientation, or other factors.
We’ll use AI and the latest technology to make publishing affordable and accessible for as many people as possible.
We will build networks and creative ways to assist authors even if they want to self-publish or just need an “assist” from a professional partner.
Our goal is to change publishing and the way we think about it one book, one partnership at a time. Our name change will simply help us stand out from the “unbound” crowd to enter a new space we can call our own.
We have an exciting lineup of books for next year and beyond. And we are not done yet. We are looking for strategic partnerships with agents, editors, other publishers, bookstores, and authors.
Stay tuned for book announcements, new partnerships, exciting developments even for you indie authors and self-publishers. We’re looking to change the future and even the conversations we have about publishing.
The news is full of the idea that we should break up big tech. They have a monopoly, after all. They control advertising (Google), shopping (Amazon), information (Facebook), apps, and software (Apple and Microsoft). While there is some debate over whether a breakup is even possible, there is another monopoly that is largely ignored except ty those in the publishing industry: book distribution.
First, let me be clear in saying we are not providing breaking news or amazing information that has come to light, man. We are just stating facts that have already been reported, but hopefully, in a fresh way that lets you, the reader, understand the publishing industry in a new, and hopefully transparent light.
Here’s the thing, and one of the reasons we started Unbound Publishing in the first place: publishers are rarely transparent about how narrow margins are and the obstacles we fact to being profitable. But we think the more that authors, bookstores, and others see these truths and issues, the better we can all work together to solve them. As a result, we want to make a better future for publishing in general.
When it comes to book pricing and distribution, there is a lot that is shrouded in mystery. Here is the low down:
Ingram, Amazon, and Getting a Book in Bookstores
So we have talked before on this blog about print on demand, and how it is the way of the future, but we need to talk about the system currently in place. Because if you think it is easy to navigate and at all fair to authors, publishers, and bookstores, you’ll want to read further.
So let’s look at the options at our disposal. You can print directly through Ingram and offer print on demand. There are some clear advantages, distribution, and promotion being just two of those. There are also a lot of options you can’t get from other print on demand services: interior options for color, hardcover printing, and more.
You can also print through Amazon through a service once called Create Space that has now been migrated to their KDP Print program, although it remains essentially the same. The cost of printing was often lower, but the quality was inferior. There are also fewer options: if you want a cover interior, a premium option is the only one available, and it increased the cost of printing your book significantly.
The kicker of the Amazon printing method is that most indie bookstores understandably won’t order from Amazon. The two are, if you are not aware, pretty much enemies. In fact, it can be argued that Amazon is no author or bookstore’s friend, but when you don’t like the largest bookseller in the world right now, you work with them anyway if that’s where revenue comes from.
But if you want to get in bookstores and libraries, publishing through Amazon, especially using one of their “free” ISBN numbers won’t get you there.
The solution is that many publishers create two paperback editions when possible: one for Amazon and one for Ingram. On Ingram, they just make sure that distribution to Amazon is not checked, and on Amazon, they make sure they don’t opt for the expanded distribution options. That way, you have print books available in both places.
It’s impractical, it’s cumbersome, but it’s the easiest way to make both of the distribution monopolies happy.
The Retail Discount
In order for bookstores to carry your book, you have to offer them a discount from retail. Ingram recommends anywhere from 30-55%. The ideal for any bookstore is a 55% discount and books must be returnable. So many authors and publishers select that option. Because you want bookstores to carry your books, and you want to make it easy for them.
And you think that is what you are doing until you go to your local indie bookstore and ask a few questions. Truth? They don’t get that entire discount. It’s been written about before here andhere, but Ingram uses a US-based company called Ingram Content Group to distribute books to bookstores.
They determine the discount a bookstore gets, and guess what happens to that other revenue you offered with the discount? It rarely comes back to the author. Ingram Books keeps it. That’s how they make money. So your local indie bookstore could be getting a 5% discount on your book when they order rather than the 55% you opted for.
How do they get away with it? Simple. Authors don’t really have a choice. Most bookstores order through Ingram and Bowker because books are returnable and they get a discount, and it’s just less cumbersome than ordering direct from each author and publisher (unless the publisher has a huge catalog).
What Do We Do About It?
First, we offer books directly to bookstores and others at wholesale rates, so if you are a bookstore or someone in the industry, and you want to carry our books and get a more significant discount (if you feel you are getting a poor deal from Ingram) please contact us. We really do want to help any way we can.
Second, there are some new players emerging in the print-on-demand space. Draft2Digital and other eBook distributors are experimenting with print and audiobook distribution. This means there could be viable options to both Ingram and Amazon in the near future, ones that would work well with Indie booksellers, libraries, and others.
Third, publicity and a certain amount of backlash on Ingram and others have created pressure to work better with Indie bookstores and others to make policies more transparent, and discounts more viable.
The Pandemic Effect
Lastly, an effect that cannot be ignored is the pandemic effect post-COIVID. Bookstores are slowly reopening, but some have closed for good, unable to weather closures and restrictions, and also either unable or unwilling to look at online operations and digital sales as a solution.
This means that in some areas especially, there are libraries and bookstores that remain closed and may never reopen. Does that mean authors and publishers should be discouraged? Not at all. It means there must be a shift in mentality and creativity to other ways to get books in the hands of bookstores and retailers. Online stores, direct to consumer (DTC) sales from the author and publisher site and more must be considered.
And events will happen again. Bookstores and libraries will open. Readers hungry for content will return in large numbers.
How do we make print profitable and viable for everyone? The move to print on demand and the embracing of modern technology is one answer. So is working with authors, bookstores, and publishers to solve the distribution monopoly problem. We can’t count on government regulation, so we in the market must be the ones to drive change.
Over a decade ago now, a revolution started. We all thought it would be the eBook revolution, and a ton of fiction authors bet their living and livelihood on it. But we were wrong. The eBook revolution never came, not the way we expected. Instead, it became a hybrid of multi-media, print on demand, and digital marketing.
But it did open up options for authors, including me. No longer were we tied to the “get lucky” or “get noticed” system of traditional publishing. Gone were the days of huge advances, and authors slinging books from their ivory towers to the masses unless you already had a big name. But you could build a pretty solid following for your books and your author brand, and actually make a living writing.
Beyond just author opportunities, the “self-publishing revolution” opened the door for other opportunities as well. Editors, cover designers, formatters, marketing, and PR professionals, and more of these professionals began freelance careers. Instead of sitting in an office in New York reading through the slush pile, an editor could be sitting on the beach editing a story they really loved.
With that came Print on Demand. As readers still wanted physical books, Indie authors and small presses needed to provide them for them. But doing print runs of thousands of books was not only not economically feasible, but it was also wasteful. So some companies jumped into the industry, including Amazon and Lightning Source (now Ingram Spark).
Soon small and medium-sized presses latched on to this model too. Why? Well, the answers are simple, and they matter to authors and publishers everywhere.
Print on Demand is More Profitable
One of our goals here at Unbound Publishing is to be absolutely transparent about our process and our profits, and here are the simple facts: we can’t operate as a company for long unless we are profitable. That means that printing books must come with enough of a margin that we can cover our salaries and operating expenses.
This is a part of why print on demand is essential to both paths to publication that we offer: we don’t want to pay for a warehouse to store hundreds or thousands of books that may or may not sell. We don’t want authors to have to order literally hundreds of books to get a discount so they can sell them to friends or family, give them away, or just have some copies for events of their own.
All those things cost money that diminishes the profitability of the company overall, and in today’s world is completely unnecessary. Here’s how it breaks down:
We can do print runs for bookstores, events, pre-orders, and conferences of any size. We can drop ship orders direct from the printers, and never even touch the books.
We can larger print runs as needed, or smaller ones. We can avoid doing print runs at all. Either way, we eliminate the structure necessary for distribution, making our company leaner and able to offer authors more royalties and vendors larger discounts.
We’re not storing returns or bulk numbers of books. We don’t need a large storage area, just a small one to meet immediate demand. Our supply can be replenished quickly and as needed.
That’s how Print on Demand benefits us as a company, but what does that mean to those we do business with?
Print on Demand Gives Indie Bookstores Better Options
Yes, our books are available through standard channels like Ingram, Bowker, and in most cases the gorilla in the room, Amazon. But we, and bookstores, are not tied to them. Bookstores and others can order directly from us, get better discounts in some cases, and have the same benefits of ordering directly from Ingram.
However, we also understand how bookstores, libraries, and others might rather order through standard channels. It makes their accounting and invoicing simpler, and we respect that. Bookstores and publishers alike operate on slim margins, and we want to help our partners. We want the industry to be successful.
Print on Demand lets us offer bookstores and other partners more options when it comes to ordering and stocking books.
Print on Demand is Better for the Environment
So for some of you not in the publishing business, let me share something sad with you: do you know what happens to returned books? Well, if they are returned to the publisher, most of them are simply pulped and recycled. Good news? Sure, at least they are recycled, but all the shipping back and forth and even the pulping process take energy, fuel, and result in greenhouse emissions.
The solution? Don’t print books unless you need them. Fewer returns, less pulping, less waste, all things that are better for our planet. And if we do get books returned from bookstores?
Well, you could call those slightly used books. Then you can sell them for a small discount on Amazon, eBay, or other places, and someone still gets to read them. Other people will sell your books used too, so why wouldn’t you or your publisher?
Print on demand gives publishers and authors the ability to do what is best for the planet, offering products with less environmental impact. That’s good for everyone.
Print on Demand is Better for Authors
What about the authors of the books? Well, first of all, they have more ordering options, and can therefore save money when they order copies for themselves and events they might hold on their own.
Second, when publishers are more profitable, they can pass along those profits to authors in the form of royalties. This is what enables us to offer a graduated royalty system to authors: the more books they sell, the greater percentage of royalties they earn. Everyone can still make a profit, because we’ve eliminated the bloat of infrastructure related to legacy publishing and large print runs.
True, not all publishers pass along profits to the authors who are the backbone of their business, but that’s what sets us apart. We’re transparent about what it costs us to produce a book, the pay now or pay later nature of publishing, and the fact that for any kind of publishing to have a viable future, we need to lean into modern technology like print on demand to make sure it’s profitable for everyone.
Have questions? Have a story you are ready to publish or need help with ghostwriting services? Contact us using the form below. We’d love to chat about what’s next for you and your story, and how print on demand can be a part of your plan.
Unbound Publishing has launched a new partnership with Agent Fox Media based in the UK, and that is great news for many authors. Read the press release below:
The Partnership Press Release
Good News for Authors as POD Publisher Strikes Agreement with Agent
Unbound Publishing LLC (Idaho, USA) is excited to announce it has forged an international deal with Agent Fox Media Literary and Media (London)to publish, promote, and distribute literature from their clients. This relationship capitalizes on the strengths of the two companies to provide opportunities for authors who want the flexibility of Print on Demand instead of the rigid requirements of publishing houses tied to large print runs and bloated infrastructure.
“The mission of Unbound Publishing LLC is to turn storytellers into authors,” co-founder Troy Lambert says. “By being nimble and forging an international, post-Brexit, COVID-era partnership with Agent Fox Literary and Media, we can assist even more potential authors achieve their publishing dreams.
Unbound Publishing LLC provides authors two distinct paths to success. Working with Rick and Beverly Mayston and Agent Fox Media capitalizes on the best path for authors who have an established audience through social media, fan clubs, or simply who the author is. The Print on Demand (POD) path gives the authors more power to make their books viable in today’s market without the demands and financial pressures of conventional publishing paths. Authors receive better compensation without burdening the agency and publishing company with risk, helping ensure the success of everyone involved.
Co-founder of Unbound Publishing LLCJerry Mooney says, “It’s exciting to bring aboard these new authors. We are the right company to get them the quality of publishing and distribution they need. And working with Rick Mayston, their CEO, has been professional and effective. Our partnership will lead to optimal benefits for all participants: author, agent, and publisher.” Jerry continued, “We are not trying to reinvent the wheel, but we are also evolving from old models which no longer serve the modern trends of the industry. We are constantly working to improve our methods to deliver success.”
The relationship with Agent Fox Media is a natural partnership because we both believe that we succeed if our authors succeed. This creates energy where everyone involved is working together towards the same goals. Using modern techniques, including social media, marketing tools, and relationship building, this joint venture maximizes the resources available to maximize profits and opportunity for authors, agents, and the publisher by harnessing the power of Print on Demand.
Unbound Publishing LLC is able to produce the highest quality products without the bloated overhead of conventional publishing. This model works best when everyone works together to modernize and streamline the publishing model.
To kickoff the partnership, Unbound Publishing LLC will be releasing two memoirs this October, both written by the children of notable British fathers. First, My Dad Was The King Of Clubs, is written by Scott Stringfellow, son of the renowned Peter Stringfellow, international club owner and London legend who worked with and signed acts like the Beatles and Culture Club. This book sizzles with accounts of rock stars and celebrities, but at its core is a heartwarming tale of a father and son.
Scott’s book is due to be made available for pre-order on October 17th, which would have been his father’s 80th birthday, and will release for sale on October 29th.
We will also be releasing No More Kisses For Me by Gayle Hiller. Gayle is the daughter of famous songwriter Tony Hiller. Through letters written to her father after his passing, she shares her story of the complicated relationship between her successful father and his daughter. This story is beautifully written and touches anyone who can relate to a parent chasing success at the expense of their family.
Gayle’s book will be available for pre-order on October 29th and will release for general sale on November 12th. More information about pre-orders can be found on our website here:
We have started with these two books because the contrasting natures of how these two people have grown up because of their paternal relationships is fascinating. We are all shaped by our childhoods, and both books will have instantly recognisable personal issues and experiences that the reader can identify with. Thankfully both Gayle and Scott have turned out to be very well rounded individuals in their own right.
“Agent Fox Media and Unbound Publishing LLC are thrilled to be working together in this way, and it is hoped that POD can continue to be a much more popular proposition for authors worldwide – long after Lockdown has ended,” says Mayston.
“It’s our goal at Unbound Publishing LLC to revolutionize POD publishing to an author-centric small press model that transcends national borders and embraces emerging publishing trends,” Lambert says. “The goal is to establish a sustainable, replicable model that is profitable for both agents, authors, and editors as a ‘new normal’ emerges for publishing.”
Jerry Mooney adds, “Our years of experience have shown us that there is a real need for our approach. Authors put their heart and souls into their creations. Writing a book is like giving birth. A book isn’t merely a commodity, rather it is an expression of one’s self, revealing our innermost thoughts and experiences, rendering authors vulnerable. It can be personal and emotional. We work with our authors from this understanding.”
Unbound Publishing LLC is excited about this relationship with Agent Fox Media and its authors as we continue to develop this model partnership to foster author, agency, and publishing company success.
In the Fox’s Den
A vital part of our partnership is to promote authors and provide them with a tangible video asset to share on social media and elsewhere that will help them sell books. Rick Mayston makes a great host, every episode is fun and entertaining.
You can see past episodes here, and new editing and a new engineer means the program will only be getting better as time goes along. Interested in appearing on the program? Unbound Publishing authors get a special rate, and we can offer the option to others who have an interest as well. Contact us today at info [at] unboundpublish.com.
How does this affect your path to publication?
What does this mean to you? This means that the Print on Demand Path to publication is even more available and viable for a greater number of authors. Frequently asked questions:
Do I have to apply for the print on demand option? Yes. We are looking for specific types of authors and books to bring into this program.
Do I have to live in the United States? No, we are interested in ideas from authors everywhere.
What are you looking for? We are currently looking for compelling non-fiction. That is everything from great business ideas; health, and fitness; stories from the entertainment industry; fascinating stories and in-depth historical research; sports teams and sports figures; and more. Do you have a story or a topic with a social media or club following? We’re interested in talking to you.
Do you have any questions? Do you already have a story to tell? Do you need help with ghostwriting, screenwriting, or are you in need of other author services? Contact us today! We’re here to help you.